I went upstairs several times over the weekend simply to look at the big canvas with the bright background. What would it look like with a Titan Buff glaze? How about iridescent bronze or gold? Antique gold or bright gold? Saturday, I prepared a large cardboard with stripes of the same background colors.
Saturday night it was dry. Not having buff right then, I tried bronze diluted with medium, then diluted more as it was so dark. next was the antique gold. Still darker than desired. The lighter gold worked best, yet could not be all I sought. I left it and finished a brightly flowered dress, rayon, knee-length. At first I though I’d put the zipper on the wrong side but realized I had the dress on backwards. Never mind it was supposed to be a side zipper, grrrr.
Sunday evening came the epiphany! Crackle! Over my test board, I slathered a varying thickness of crackle medium with a dab of azure in it. Since it has to dry a few days, I stay in anxious anticipation until I get back home to see it. Of course, since then I’ve been mentally going back to it again and again on exactly where to put that crackle. What color should it be? I’m thinking it goes across the green part between the sky and space, the green swirls should show at the cracks. Greenhouse gases. Broken sky. Gosh, I want to get back to it! I did get the stars put up in that dark blue sky.
Pictures of the test board? Shots of the starry expanse? Forgot! How about cats to round out the post? These are the cabin crew. Fatty and Barto are hand picked from the Humane Society. I got Bridget, Gidget and Digit from the chicken plant junk heap…only Bridget is left after all these years. I’ll have to tell all about Krink someday, she really is special.